Stage

BenDeLaCreme’s Queer, Freaky, and Flirtatious “Gaylord Manor”

The high-camp cabaret approaches horror from a queer perspective.

 

Onerus’ Sci-Fi Theatre Cautions a Tech-Centric Future

Café Nordo’s new production envisions the calamity of corporate control in Cascadia 2046.

 

‘las mariposas Y los muertos’ Explores Hipster Appropriation in the Pitchfork Era

Benjamin Benne’s newest play wittily dives into rock and representation.

 

Ayad Akhtar’s ‘The Who & The What’ Takes a Philosophical Lens to Love and Islam

Faith, family, and feminism lie at the heart of this new play by Ayad Akhtar.

“I Know Why the Caged Bird Sings” Deftly Adapts the Brilliant Memoir for the Stage

Malika Oyetimein and Myra Platt’s production portrays Angelou through the ages.

Dusting the Crust Off ‘The Crucible’

A conversation with ACT’s John Langs on whether old dramas should keep getting restaged in Seattle.

Sara Porkalob’s ‘Dragon Lady’ Is a Celebration of the Legacies That Made Her

In her one-woman show, the artist/activist plays multiple generations of her family.

“American Archipelago” Struggles to Tie Isolated Stories into One, Cohesive Narrative

The tale of twisted fates in the United States lacks the clarity to tell an effective tale.

Jane Austen’s Song of Regret

Her bittersweet romance is translated to the stage.

Malika Oyetimein’s ‘Hoodoo Love’ Places the Story in the Audience’s Laps

The director’s take on a story of black resilience strategically engages with white audiences.

Kate Shindle on the Queer Activism That Led Her to ‘Fun Home’

Playing Alison Bechdel in a Broadway musical is the latest in the actor’s history of allyship.

A Straight Man in Dire Straits Tries Drag in ACT’s ‘The Legend of Georgia McBride’

Two queens coach the clueless in this hilarious peek into an integral form of queer art-making.

Grand Concourse and the Limits of Care

Seattle Public Theatre engages with one end of homelessness while missing the other.

‘Rising Up’ Blends Fact and Fiction in Hopes of Transformation

Ebo Barton and Sarah Rosenblatt’s queer social-justice play invited the cast to shape its story.

Cirque du Soleil’s ‘Luzia’ Is a $47.7 Million Detriment to Mexican Artists

Meant to showcase Mexican culture to the world, ‘Luzia’ fails its premise from beginning to end.

Cherdonna Shinatra Invades a Classic

Washington Ensemble’s take on “A Doll’s House” gets a meta drag interloper.

Here Lies Love’s Disco Dictatorship

David Byrne’s spectacle-driven musical engages with the political history of the Philippines.

Keiko Green’s ‘Nadeshiko’ Explores the Nuanced History of Idealized Japanese Beauty

Flitting between WWII Japan and the present-day U.S., the play connects the dots of a sterotype.